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在刘栋先生编著的我国第一部关于擦擦的大型专著《擦擦—藏传模制泥佛像》中,对“擦擦”的定义为:一种模制的泥佛或泥塔。藏地发现的早期印度风格的擦擦多由红色陶土塑成,边缘不规整,胎泥外溢,图案以神降塔、吉祥塔和菩提塔居多,且大都印有般若经咒。此后,藏地自身也开始制作擦擦,内容、题材逐渐增多,藏文的六字真言由藏文转写的梵文经咒取代。汉地及以往书面语称之为“模制泥佛像”或“拓模泥像”等。在擦擦研究领域,世界上声名最显赫的非意大利藏学家图齐教授莫属,他将擦擦的定义和宗教用途总结为:“擦擦是一种小像,可以是塔形,也可以表现佛教大众,或含有总摄
In Mr. Liu Dong’s first large-scale monograph on wiping in China, edited by Mr. Liu Dong, the term ”wiping rub“ was defined as: a molded mud or mud tower . The early Indian style of rubbing rubbish discovered in Tibetan areas was mostly made of red clay. The edges were irregular and the tire mud spilled. The patterns were mostly deified towers, auspicious towers and Bodhi towers, and most were printed with Prajna Paramita. Since then, Tibet has also begun to make its own wipe rub, content, subject matter gradually increased, the Tibetan mantra is written by Tibetan Sanskrit script replaced. Han and past written language called ”molded mud Buddha “ or ”clay mold “ and so on. Professor Tuzzi, a non-Italian Tibetan scholar with the most prominent name in the world in wiping research, summed up the definition and religious use of rubbing as ”rubbing rubbish is a small figure that can be a tower, Can also show the general public, or contain the total photo