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一件《亲蚕图》画柜,引出有清一代的先蚕典礼,并进而阐述乾隆帝复兴先蚕礼的意义。清初先蚕礼处于荒废状态,乾隆帝予以复兴,从此历朝恭祭不辍,除了“明等威而昭仪制”的目的外,还在于倡导耕织并重,以养民温饱。乾隆帝不仅在思想上重视,而且敕命编纂《钦定授时通考》对农业进行指导,并要求地方督抚努力躬行实践。对复兴的先蚕礼仪,乾隆帝还命宫廷画师进行了形象化的记录,绘制了“诣坛”、“祭坛”、“采桑”和“献茧”的礼仪程序,形成恢宏巨制四卷《亲蚕图》,并为此特别制作了《亲蚕图》画柜以贮藏。
A “mother silk map” painted cabinet, leading to a generation of first silkworm ceremony, and then elaborated Qianlong emperor revival silkworm ceremony significance. At the beginning of the Qing dynasty, silkworm gift was in a state of ruin and Emperor Qianlong rejuvenated. From then on, the government did not stop offering sacrifices. In addition to the purpose of “making the Ming dynasty and Zhaoyi system”, it also advocated the equal emphasis on both farming and weeding to feed the family. Emperor Qianlong not only attached great importance to his ideology, but also diligently compiled the guideline of “official grant” to guide agriculture and demanded that local governors work hard in practice. On the rejuvenation of the silkworm etiquette, Qianlong emperor also life court painter carried out a visual record, drawn “etiquette ”, “altar ”, “mulberry ” and “cocoon Program, forming a magnificent grand four volumes of ”pro-silkworm map“, and for this purpose specially produced a ”silkworm map" painted cabinet for storage.