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每当在中国戏曲研究的学术会议上见到日本学者,见到他们如同这一学会的一个成员那样,出入戏场、观摩演出、访问文物遗迹时,一个强烈的愿望便油然而生:何时也能远涉重洋,去东瀛之国一饱眼福,以求知己知彼呢?来中国参加研究会、观摩演出的日本学者,并非全是为了研究中国戏曲,亦有专程为研究日本艺能而前来“探源”的。对于一种艺术样式形成发展之追究,“探源”诚然重要,那么“探流”呢?亦不会是无足轻重的吧?正是带着这样的愿望,我在一年多赴日进修的期间,尽已所能对日本演剧进行了
Whenever I met Japanese scholars at academic conferences of Chinese opera studies and saw them as one of the members of this society, there was a strong aspiration when going out to the theater, watching performances and visiting cultural relics: when But also to the oceans and seas, to the country of EGL full of bliss, in order to know ourselves? To China to participate in research seminars, performances of Japanese scholars, not all for the study of Chinese opera, also made a special trip to study Japanese art and come “Origin”. It is not insignificant that “exploration” is really important for the investigation of the formation and development of an art form. It is with such a desire that I spent more than one year studying in Japan , Do whatever you can to Japanese drama