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近日,“泼皮现实主义绘画”的代表人物方力钧出任中国国家画院画院当代艺术研究中心主任。消息传出,美术圈中激起了小小的涟漪,但社会上总体反应平静。方力钧无疑是中国成功的当代艺术家之一,他作品的拍卖价一度搅动许多人的心扉,他笔下傻笑着的“光头人物”形象也屡屡成为人们议论的话题。但最近几年,方力钧逐渐变成一种消费符号,他的作品,既能在商业画廊里看到,又能在公立的美术馆里看到,还能在前卫杂志和拍卖会上看到,甚至某些商人的别墅里也挂上了这种时尚的艺术品。与此同时,社会也发生了变迁,文艺政策较过
Recently, Fang Lijun, the representative of “Pippi Realism Painting,” became the director of the Contemporary Art Research Center of the Chinese Academy of Art Academy. As news came out, there was a small ripple in the art circle, but the overall social response was calm. Fang Lijun is undoubtedly one of the successful contemporary artists in China. The auction price of his works once stirred up the hearts of many people. The images of “bald figures” he smiled and smiled often became topics for discussion. In recent years, however, Fang Lijun has gradually become a symbol of consumption. His works can be seen both in commercial galleries and public art galleries, as well as in avant-garde magazines and auctions. Even some merchant’s villas are hung with this stylish artwork. In the meantime, social changes have taken place, and the cultural and art policies are overdone