二人转的雅俗之争

• 作 者: 邵丽坤
• 机 构: 吉林省社会科学院,
• 出 处: 戏剧文学
• 发表日期: 2017年11期
• 关键词: 二人转研究 东北二人转 戏剧艺术 黄梅戏 杨朴 说口 女丑 舞台形象 欲望 心荡神迷

二人转从诞生之日起,雅俗问题的争论就从来没有停止过。不过有一点值得肯定,二人转注定不是阳春白雪,它从开始就带着土野的气息,甚至是以粗鄙、粗俗的状态出现在观众面前。粗野的乡土气息对于二人转的粗鄙化问题,二人转研究专家杨朴先生曾说过这样一段话:“毋庸讳言,东北二人转与江南黄梅戏等比较起来,确实是一种粗鄙化的戏剧艺术。二人转没有其他戏剧那样高雅、婉约和细腻。有的是粗野、粗陋和粗鄙。但也正是这

Two people turn from the date of birth, the issue of elegant and vulgar issues never stopped. However, one thing is worth to be sure, the two are not going to be the sun and the snow, and from the beginning it has the smell of the earth, even in the vulgar, vulgar state appeared in front of the audience. Rough country atmosphere For dutiful turnaround, the two-person research expert Yang Parker once said something like this: ”Needless to say, the duo of Northeast China turned out to be a vulgar theater art in comparison with the Jiangnan Huangmei opera. Other plays are as elegant, graceful, subtle, some rough, crude, vulgar, but it is