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画家是用感觉进行形象思维的,画面的虚实关系,结构体的比例平衡,笔墨运动节奏的张弛,都靠感觉来驱使笔墨运动,有时差之毫厘,便失之千里,画面上的一切,不能用量化来实现,全靠感觉来把握。就此而言,我欣赏田虹的艺术感觉,并且是有激情的感觉、有意趣(不是小家子气)的艺术感觉。感觉的彼岸是思想境界,艺术所要的永远是追求思想和境界。
The painter uses the feeling to imagine the image, the relationship between the actual situation of the picture, the balance of the structure, the relaxation of the rhythm of the movement of the ink and the brush, all of which are driven by the sensation of motion, with the slightest difference, losing everything and everything on the screen Quantified to achieve, thanks to feel. In this regard, I appreciate Tian Hong’s artistic feeling, and it is the feeling of passion and the artistic feeling of being interested (not petty). Feeling the other side is the ideological realm, the art is always the pursuit of ideas and realm.