论文部分内容阅读
在讨论当代女性艺术,寻找女性艺术的未来发展的研究过程中,笔者首先从中国文学史中得到一些发现,从古至今,女性观从未湮没于整个中国文化史当中,因此,笔者认为,可以中国文学作品作为一个开始,来追溯女性观或女性意识的嬗变,这对研究中国女性艺术有着追根溯源的意义。在中国的传统文化中,关于男尊女卑最有代表性的是孔子的“唯小人与女子难养也”。这种男尊女卑的思想流传了上千年。由男性编写的文化史,即是作为陪衬,女性也很难侧身其间。
In the process of discussing contemporary feminine art and looking for the future development of feminine art, the author first got some discoveries from the history of Chinese literature. Since ancient times, the concept of feminism has never lost in the history of Chinese culture. Therefore, in my opinion, Chinese literary works as a starting point to trace the evolution of female or female consciousness has the significance of tracing the Chinese female art. In China’s traditional culture, the most typical representative of the inferiority of men is Confucius. This masculine and inferior thinking spread to thousands of years. Cultural history written by men, that is, as a foil, women are also very difficult to sideways.