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艺术处于剩余状态,无论面对自然还是历史,艺术面对的是自身的消失,在追逐这种消逝之中,艺术反而变得坚强。当人类进入所谓的后历史状态,自然的存在开始显露出来,越来越赤裸的自然暴露出自己的顽强,一块石头,一堆石块,所谓的顽石,顽固而坚硬,对于人类一无所求的石头,几乎没有任何的文化历史负载,就巍然挺立在那里,几万年,几百万年了,它们有着自身独立的存在,不需要人类观照,在人类之外,卓然显露出自身的存在。当人类的意识
Art is in the state of surplus, art faces its disappearance in the face of nature or history, and in the pursuit of this disappearance, art becomes strong instead. When mankind enters the so-called post-historical state, the existence of nature begins to emerge. More and more naked nature naturally exposes his tenacity, a stone, a pile of rocks, so-called hard rock, stubbornness and hardship, and nothing for mankind Seeking the stone, there is almost no cultural and historical load, stand tall stand alone, tens of thousands of years, millions of years, they have their own independent existence, do not need human contemplation, beyond mankind, Zoran revealed himself exist. When human consciousness