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四川汉代画象中,有关伏羲女娲形象的画象砖和画象石刻多有出土,但各种画面均大同小异,总的说来,伏羲女娲皆人首蛇身。有的面部相对,有的两嘴相亲;有的举日、月轮并手执规、矩,等等。二神之躯或作蛇身,或作龙躯,有的两尾卷曲,有的两尾相交,形象十分生动。学术界对伏羲女娲画象巳有较为详细的考证,唯四川省彭山县出土的“伏羲女娲·双龙”画象砖(图一),风格独特,内容复杂而新颖。其上有伏羲女娲二神(龙),有建筑物、人物等。这里,笔者针对该图象的内容并结合有关史料,试释如下。“伏羲女娲·双龙”画象砖为长方形,中间横穿一线将画面分为上下两部分。上图左方有一观阙式的建筑物,顶有三重:建筑物外有一官吏,手执笏板,面向建筑物;建筑物中有
Sichuan Han Dynasty portraits, the image of Fu Xi Nu Wa portrait brick and stone portrait more unearthed, but all kinds of pictures are similar, in general, Fuxi Nu Nu are the first snake body. Some face relative, and some lips blind; some day, moon and hand enforcement, moments, and so on. The body of two gods or as a snake body, or dragon body, and some two curly, and some two intersect, the image is very vivid. Academic circles have a more detailed study of the portrait of Fu Xi and Nu Wa, but only Pengshan County, Sichuan Province unearthed “Fu Xi Nu Wa Ssangyong” portrait brick (Figure 1), unique style, content is complex and novel. There Fu Xi Nu Wa two gods (dragons), buildings, figures and so on. Here, the author of the image content and combined with relevant historical data, try to explain as follows. “Fu Xi Nu Wa Ssangyong” Portrait brick is rectangular, the middle of the screen will be divided into two parts up and down. The left side of the figure there is a view of the Que-type buildings, top three: there is a official outside the building, Shogun Wat board, facing the building; there are buildings