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长期在海外研究中国画的学者,远离了学派、师承、利益的漩涡,明眼者一看便知,20世纪中国画出了点问题。在20世纪初期,中国社会渴望变革的呼声一浪高于一浪,新文化运动的洪流席卷全国。我们所敬仰的文化巨匠,康有为、梁启超乃至鲁迅频频登高一呼,喊出中同画要改革的时代强音,他们甚至指出中国画的创新应参照西洋素描来变革。徐悲鸿、蒋兆和等一大批杰出的画家首当其冲,以自身卓越的艺术造型能力,拿着毛笔,以素描造型的审美视角,进行着毕生的艺术实践,创作《九方皋》、《流民图》等一大批具有现实意义、有影响的作
Long-term study of Chinese painting scholars abroad, away from the school, teachers, interests of the whirlpool, glance those who see at a glance, the 20th century, China painted a point. In the early twentieth century, the call for change in China’s society was wave after wave, and the torrent of the New Culture Movement swept across the country. We admire the cultural masters, Kang Youwei, Liang Qichao and even Lu Xun frequently ascended the page and shouted the same time in the same picture to reform the strong tone, they even pointed out that the innovation of Chinese painting should be based on Western sketch to change. Xu Beihong, Jiang Zhaohe and a large number of outstanding painters bear the brunt, with their outstanding artistic ability, with a brush, with a sketch of the aesthetic point of view, to carry out life’s artistic practice, creating “Nine Fang Gao,” " A large number of practical and influential work