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沈德与窦娥分别是德国和中国两部戏剧里的女主人公,在各种压迫与剥削下有着不同人生但是相同的悲剧命运。布莱希特用一种间离效果完成《四川好人》这个寓意剧,让沈德看似有了一个公平的待遇,但好人的难做以及神仙的最后束手无策让她也成为一个悲剧性的人物;关汉卿用窦娥对天地的声泪控诉表现了中国封建社会制度下女性的低贱地位与悲惨人生,尤其是三桩无头愿的离奇实现更让读者有出乎意料、触目惊心之感。在这两部戏剧中间离效果充分发挥了它催人深醒发人深思的特点。
Shen De and Dou E are respectively the heroines of the two plays in Germany and China. They have different lives but the same tragic destiny under all kinds of oppression and exploitation. Brecht uses a kind of separation effect to complete the moral drama “Good Man of Sichuan”, so that Shen De seems to have a fair treatment, but the good man’s hard work and the immortal helplessness make her also become a tragic figure ; Guan Hanqing’s use of Dou’e’s complaint against heaven and earth shows the low status and tragic life of females under the feudal social system in China. In particular, the three bizarre bizarre accomplishments have brought readers surprising and shocking feelings. In the middle of the two plays away from the effect of full exerting its reminder of deep thought-provoking features.