再谈“笔墨等于零”

• 作 者: 岳晓颖
• 机 构: 山西师范大学,
• 出 处: 中国文艺家
• 发表日期: 2017年07期
• 关键词: 吴冠中 张仃 等于零 中国画发展 艺术观点 画中 绘画美学 美学思想 中国绘画 一幅画

本文主要围绕吴冠中先生提出的“笔墨等于零”的艺术观点来展开论述,通过中国画中不可或缺的元素——笔墨,来影射中国传统绘画的特点,也阐明今后中国画的发展道路的选择。众所周知,吴冠中是一位在中国画和油画方面都有涉及而且文学方面也有自己独到见解的这样一位跨越多方面的传奇人物,在美学研究方面也有着自己的看法,在关于传统绘画美学上提出了自己别具一格的观点,尽管当时如此的的饱受争议,但这也为后来新的美学思想的形成奠定了基础。

This paper mainly focuses on the artistic viewpoint of Mr. Wu Guanzhong’s “ink and brush equals to zero ”. Through the indispensable elements in Chinese painting - ink and brush, it reflects the characteristics of Chinese traditional painting and also illustrates the choice of the development path of Chinese painting in the future. As we all know, Wu Guanzhong is a legendary figure who is involved in both Chinese painting and oil painting and also has his own unique viewpoints in literature. He also has his own views on aesthetics research. In his opinion on the traditional aesthetics of painting, Owing to his own unique viewpoint, despite such controversy so far, this laid the foundation for the formation of a new aesthetic thought later on.