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接受理论把读者的文学感受和审美再创造纳入到整个文学创作活动中,文学感受就是一种审美的文学感觉,它依靠想象超越了日常感觉的混沌、无聊和焦虑,也超越了认识和道德感觉的利害性。诗歌作为语言的艺术,读者的审美感受通过和诗歌语言文本的对话、填空和完形,获得对文学形象的具体感受和体验,诗所显示的相关物就会无限度地敞开自身的本性。
Accepting the theory of the reader’s literary experience and aesthetic re-creation into the entire literary creation activities, literary feelings is an aesthetic sense of literature, it relies on imagination beyond the daily feeling of chaos, boring and anxiety, but also beyond the awareness and moral feeling The interest. As the art of language, the aesthetic feelings of the readers gain the concrete feeling and experience of the literary images through the dialogue with the language of the poem, filling in the blank and shaping, and the related things displayed in the poem will open their own nature indefinitely.