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第七讲疏野司空图《诗品·疏野》:“惟性所宅,真取不羁。控物自富,与率为期。筑室松下,脱帽看诗。但知旦暮,不辨何时。倘然适意,岂必有为。若其天放,如是得之。”描述了审美中随缘自适、不期于工、率意从容的境界。苏轼也认为“书初无意于佳乃佳”。在书法学习中,须兼有“法”与“意”。“法”是第一性的,是作品的基础;“意”是第二性的,是作品的灵魂。“法”不过关,
Seventh field of open air Sima empty map “poetry goods sparse wild”: “However, the property of the house, really uninhibited control of self-riches, and the rate for the period. If it is desired, there must be something, and if it is heaven’s sake, it is what it is. ”“ Describing aesthetic self-reliance, unwillingness to work, deliberate calmness. Su Shi also think ”early no intention of the book is good is “. In calligraphy learning, both ”law“ and ”meaning“. ”Law “ is the first, is the basis of the work; ”meaning “ is second nature, is the soul of the work. ”Law " But pass,