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近年中国工笔花鸟画在表现语言和形式追求上变化较快,而绘画语言的创新除了和绘画题材的选择相关之外,与个人的气质及时代背景、地域传统等文化因素也息息相关。现代花鸟画所接受的传统影响最直接的来自明清时期,不论是扬州八怪或海上画派,大多是以江南文化为核心,这是宋代文化中心南迁,文人画的主要特征在中国画坛占据主流的事实所致,尤其是后来董其昌的南北宗论的划分,影响了很长一个时期的审美潮流。而近代工笔花鸟画的发展日新月异,由于其巨大的兼容性使工笔花鸟画在总体的发展上具备了更加的自由
In recent years, the fine brushwork and flower painting in China has changed rapidly in the performance of language and the pursuit of form. Apart from the selection of painting themes, the innovation of painting language is also closely related to the cultural factors such as personal temperament, time background and geographical tradition. The most direct traditional influence received by modern flower and bird paintings comes from the Ming and Qing Dynasties. Whether it is the Eight Eccentrics or the Sea Painting School in Yangzhou, most of them are centered on Jiangnan culture. This is the southward movement of Song Dynasty Cultural Center. Due to the prevailing facts, especially the division of Dong Qichang’s northern and southern sentiments later affected the aesthetic trend of a long time. The development of modern high-quality flowers and birds is changing with each passing day. Because of its great compatibility, pen-and-flower paintings have more freedom in the overall development