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版画之于绘画艺术,正如诗歌之于文学:剪去一切杂笔而极尽简练,选取最有力的笔法而极富感染力。凯绥·珂勒惠支(Kathe Kollwitz)的版画作品,画面饱满,黑白间的对比张力极强;大块之处夸张写意,亦有细节处的精心雕画,兼有理性的写实与诗性的写意。这使笔者自然联想到同时代鲁迅的散文诗。本文主要通过比较珂勒惠支的版画作品与鲁迅的散文诗集《野草》部分作品,阐明笔者对珂勒惠支版画特征的理解。
Print to the art of painting, just as poetry in literature: cut off all the miscellaneous and extremely concise, select the most powerful style and very contagious. Kathe Kollwitz’s prints, full of images, intense contrast between black and white; large pieces exaggerated freehand, there are details of the carved carefully, both rational and realistic poetic Freehand. This makes the author naturally think of the prose poems of the same period of Lu Xun. This paper mainly expounds the author’s comprehension on the features of Kelehui’s lithographs by comparing the works of Ke Hui Hui Zi’s prints and Lu Xun’s prose collection of “Weeds”.