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在中外影视理论著作中,都少不了记录片的有关论述,从记录片的发展史到记录片的创作技法,各门各派的观点层出不穷。从电影记录片到电视记录片,记录片已走过了漫长的里程.随着中国社会政治、经济的快速发展,记录片的创造正呈现出繁荣兴旺的态势,无论是题材形式还是艺术手段,都取得了令人瞩目的成绩,中国电视记录片的理论研究也呈现出百花齐放、百家争鸣的繁荣局面。但时至今日,记录片在客观上尚未形成完全意义上的创作理论。
In both Chinese and foreign film and television theory books, the relevant discourse on the part of the narrative, from the history of the documentary to the documentary creative techniques, various viewpoints of various schools emerge in endlessly. Documentary films have come a long way from documentary films to TV documentaries.With the rapid development of Chinese society and politics and economy, documentary creations are showing a thriving and prosperous situation. Both the subject matter form and the artistic means have been made The remarkable achievements of the people and the theoretical study on the Chinese television documentary also present the prosperous situation in which all flowers bloom and there are hundreds of schools of thought. But today, the documentary objectively has not yet formed a complete theory of creation.