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《中国宝玉石》杂志1999年第1期开篇发表了何乃华先生的《脱工匠之巢臼,进艺术之殿堂》一文,拜读之后,颇有同感。所谓“工匠”与“艺术家”之分野,我以为是在我国现代才开始形成的。建国前后,人们普遍把做工的“工匠”称为“手艺人”,那时“手艺人”的队伍相当庞大,而艺术家的数量微乎其微。随着社会经济和文化艺术事业的不断发展,以及人们物质生活水平和受教育程度的提高,各种艺术应运而生,艺术家的
The first issue of “China Gem Magazine” published the first article of Mr. He Naihua in 1999, entitled “Unofficial Artisan’s Nest, Into the Palace of Art,” after reading, quite agree with each other. The so-called “artisan” and “artist” division, I think it is in our country began to form a modern. Before and after the founding of the People’s Republic, the artisans who worked as workers were generally referred to as “artisans” when the “artisans” team was quite large and the number of artists was negligible. With the continuous development of social, economic, cultural and artistic undertakings, as well as the improvement of people’s material and educational level, various kinds of art came into being. Artists’