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在我国音乐界,作曲家兼及理论研究或者音乐学家兼涉创作的音乐家并不少见,但是在创作与研究两个领域都有较高建树,拿得出有份量之作、有独特贡献的音乐家,并不多见。黎英海学术生涯中一个颇具特色的地方是,几乎在从事音乐工作之初,他就将作曲与理论研究的“学术座标”设立于民族音乐领域,并贯彻始终。今年春天,在台湾举办的“第三届中国作曲家研讨会”上,黎英海所作的演讲,正是围绕着中国音乐创作的民族风格问题而展开的。 黎英海的音乐创作,始于40年代在重庆青木关国立音乐院学习期间,此后半个世纪,他涉足于声
In China’s music industry, composers and musicians who are involved in theoretical studies or musicians are not uncommon, but they have made great achievements in both the field of creation and research, Musician, rare. One of the distinctive features of Li Yinghai’s academic career is that at the beginning of engaging in music work, he set “academic coordinates” in composition and theory research in the field of national music and carried it out consistently. This spring, at the “Third Chinese Composers Symposium” held in Taiwan, Li Yinghai’s speech was based on the issue of national style in Chinese music creation. Li Yinghai’s musical composition began in the 40’s while studying at the Aoki Pass National Conservatory of Music in Chongqing. For the next half-century, he was involved in the sound