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我会随时随地记录一些东西,比如残山、剩水。这批手稿开始于一次桂西的写生,对象是采石场的残破山体。随着写生的深入,有些符号性的形象重复出现,如各种开采形式的山体,蓝色的铁皮围栏和工棚,以及路边的广告牌等等,加之点景的人物扁舟,组成了别样又现实的山水形态,其审美情境带入残
I will record something anytime, anywhere, such as the mountain, water. These manuscripts began in a sketch of western Guangxi, the object is the broken mountain quarry. With the sketching of life, some signs of the image of repeated appearance, such as various forms of exploitation of the mountain, blue metal fence and shed, and billboards and so on the roadside, combined with the scenery of the people boat, composed of different And the real landscape form, the aesthetic scene into the disabled