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在新编历史剧的创作过程中,怎样处理历史真实与艺术真实的关系,是一个令作者头痛的难题,也是艺术家与历史学家争论不休的一个热点。 问题是如何达到历史真实与艺术真实的统一。所谓历史真实,是要求作品的基本事实和人物故事,能反映出历史的实际情况,真实可信。所谓艺术真实,则要求艺术家塑造出的人物有血有肉,有思想有性格,故事有波澜,有矛盾有冲突,总之,要通过艺术虚构,丰富人物性格,激化事件冲突,人物、故事,让观众觉得合情合理、真实可信,受到艺术的感染。要做到这些,就需要
In the process of creating new historical drama, how to deal with the relationship between historical truth and artistic reality is a difficult problem for authors and a controversial issue between artists and historians. The question is how to achieve the true unity of history and art. The so-called historical truth, is the basic facts and story of the work requirements, can reflect the actual situation of history, true and credible. The so-called artistic reality requires artists to create characters with flesh and blood, thought and personality, there are waves in the story, there are contradictions and conflicts. In short, through artistic fiction, character enrichment, intensification of events, characters and stories, make the audience feel fair and reasonable , Authentic, subject to the infection of art. To do this, we need