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这几年,人们不断地探讨戏剧的生存与发展问题。讨论的范围是相当广的,有的认为目前戏剧是繁荣的,有的认为已经有了转机,有的认为仍在危机之中,也有的认为将衰落下去。我对中国的戏剧持乐观态度。这里不论述这门艺术本身的理论问题,只想就我们江苏省的戏剧生产实际情况作一分析,以说明,戏剧在某一地区是可以形成“小气候”的。这几年我们生产的剧目大抵有三类:一、主旋律作品,约占我们整个剧目的半数;二、上座率高的剧目,即
In recent years, people continue to explore the survival and development of drama. The scope of the discussion is quite wide. Some people think that the present theater is prosperous. Some think it has turned around. Some think it is still in crisis. Others think it will decline. I am optimistic about the drama in China. Regardless of the theoretical issue of the art itself, I only want to analyze the actual situation of drama production in Jiangsu Province to show that drama can form a “microclimate” in a certain area. In recent years, we produce three types of repertoire: First, the main melody works, accounting for about half of our entire repertoire; Second, attendance high repertoire, that is