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本文从人与自身内在关系的角度出发,对中国生态纪录片中的生态美学观进行探寻。生态整体和谐是生态美学的核心追求,与自然和谐、社会和谐一样,人自身内在的和谐也是生态整体和谐中不可或缺的重要组成部分。因为人类所具有的能动性,在人与自然的关系上,人类往往处于主动地位,所以人自身内在的和谐是人类自身树立正确生态价值观的关键,同时也是成为了自然生态与社会生态和谐的重要保证。在中国生态纪录片中,最初人与自身内在的和谐,是以实现自身价值为基础的,自然作为人类实现自身价值的工具遭到严重破坏,人类与自然依然是对立的双方,人与自然界的整体和谐无从谈起。对于自然肆无忌惮的破坏后形成的异化,人类开始进行着反思,而这种反思的最终指向则是人类对于生态人格美的追求。
From the perspective of the inherent relationship between man and herself, this article explores the ecological aesthetic concept in Chinese ecological documentary. The overall harmony of ecology is the core pursuit of ecological aesthetics. Like natural harmony and social harmony, the inherent harmony among people is also an indispensable part of the overall harmony of ecology. Because of the initiative of mankind, mankind is often in the active position in the relationship between man and nature. Therefore, the inherent harmony of mankind is the key to mankind’s own establishment of correct ecological values. It is also an important guarantee for the harmony of natural ecology and social ecology . In China’s ecological documentary, the initial harmony between man and himself is based on the realization of his own value. Nature is severely damaged as a tool for human beings to realize their own values. Mankind and nature are still opposite. Both man and nature as a whole Harmony can not talk about. For alienation formed after unscrupulous destruction by nature, mankind began to carry out introspection, and the final point of this reflection is the pursuit of the beauty of the ecological personality by mankind.