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我想从三个方面来谈谈邱光平作品的价值:一是艺术学价值,二是社会学价值,三是生态学价值。在谈这几个价值之前,先做一个基本介绍。我和邱光平认识时间比较长,差不多已有十年。他参加的第一个重要的全国性艺术展,是我策划的《首届(2006)“新动力·中国”当代艺术双年展》。从这次展览他的参展作品中可以看到,他已经开始明确将“马”作为传达精神创意的媒介。作品中“马”作为主体,用夸张变形、肌理装饰等手法,张扬一种野性浪漫的情趣,其个人面貌,已经开始渐渐显露,并得到了展览嘉宾和学者的的肯定。在此以后,他的作品不断强化夸张变形手法,并向寓言性、空灵性、拟人性、社会性、批判性方向延展。我们注意到他的作品的两大支撑:一是作者阅读
I would like to talk about the value of the works of Qiu Guangping from three aspects: one is the value of art, the other is the value of sociology, and the other is the value of ecology. Before talking about these values, make a basic introduction. I and Qiu Guangping know a long time, almost 10 years. The first major national art fair he participated in was the “First (2006)” New Power, China “Contemporary Art Biennale” which I planned. As can be seen from his exhibitions at this exhibition, he has begun to explicitly use “horse” as a medium for conveying spiritual ideas. In the works, “Ma” as the main body, with exaggerated deformation, texture decoration and other practices, to publicize a wild romance, its personal appearance, has gradually begun to show, and has been recognized by the exhibition guests and scholars. Since then, his works have been constantly reinforced by exaggeration and distortion, and extended to the allegorical, emptiness, anthropomorphic, social and critical directions. We noticed two major works of his work: one is the author’s reading