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一、纪录片栏目生产管理结构在中国社会的转型时期,电视纪录片栏目兴盛起来,并与中国社会的整体文化环境和电视台生产方式的变迁紧密地联系在一起。纪录片的生产管理目前可分为:(1)制片人中心制。纪录片栏目大部分实行制片人中心制。在制片人的统一决策下,栏目化程度比较高,栏目定位也比较到位,创作人员主要是本栏目的编导。(2) 编导中心制。由导演掌握整个生产流程,在创作中体现编导对素材的独特理解。虽然制片人或投资方拥有最终的决定权,但实际操作控制在导演手里。上述管理结构以及生产体制,引出了栏目化纪录片中的三个关系:
I. Documentary Production Management Structure In the transitional period of Chinese society, television documentary sections flourished and closely linked with the overall cultural environment of China and the changes in the mode of production of television stations. Documentary production management can be divided into: (1) producer center system. Most of the documentary sections implement the producer center system. In the producer’s unified decision-making, column level is relatively high, column positioning is also more in place, the creative staff is mainly director of this column. (2) Director system. By the director of the entire production process, in the creation of the director to reflect the unique understanding of the material. Although producers or investors have the final decision, but the actual operation control in the hands of the director. The above-mentioned management structure and production system lead to three columns in the documentary: