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《活着》是余华转型后的代表作之一。本文将立足“冲淡”一词,从内容与艺术性两个层次进行分析。在内容方面侧重分析人物经历与故事情节方面的冲淡;在艺术性方面侧重分析作者的叙述视角与对人物的处理方面的冲淡。
“Alive” is one of the masterpieces after Yu Hua’s transformation. This article will be based on “dilute ” the word, from the content and artistic level of two levels of analysis. In terms of content, it focuses on the analysis of the experience of the characters and the dilution of the storyline; in the artistic aspect, it focuses on the analysis of the author’s perspective of narration and the dilution of the handling of characters.