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欧洲各时期的音乐是在一种特殊的文化背景中成长起来的特殊的音乐文化,它的基本理论并非放之四海而皆准,其发展的道路也并非是唯一正确的,更不是人类音乐文化发展的高峰和楷模。中国音乐的历史要比欧洲音乐的历史厚重得多,要使中国音乐文化真正地“面向世界”就得构建中国乐理体系。《中国传统乐理教程》“完成了‘构建中国乐理体系’这一艰巨而光荣的历史使命。”①它以中华文化为背景、中华音乐文化为根本、中国音乐的发展为基础,以中华民族精髓扬中华民族之魂,凝结了杜亚雄先生数十年的理论研究和踏遍祖国城镇乡村的实践经验。该书以“本土解释”和“地方性注脚”的态度,探讨人类音乐的异同。这种“及物”哲学观不仅营造了中国传统乐理的学术氛围,而且对当代学子给予深深影响。——题记
The music of every period in Europe is a special music culture that has grown up in a special cultural background. Its basic theory is not universal, and the road to development is not the only correct one, nor is it the human music culture The peak of development and model. The history of Chinese music is much thicker than the history of European music. For Chinese music culture to truly “face the world,” it is necessary to construct a Chinese musical theory system. The Chinese Traditional Music Theory Course completed the arduous and glorious historical mission of building a Chinese musical theory system. “① It is based on the Chinese culture, based on the Chinese music and culture, based on the development of Chinese music, The essence of the Chinese nationality raises the soul of the Chinese nation and condenses many decades of theoretical research by Du Ya-xiong and his practical experience in traveling to the towns and villages in the motherland. The book explores the similarities and differences of human music with the attitude of ”local interpretation “ and ”local footnote “. This ”philosophy of matter" philosophy not only creates the academic atmosphere of Chinese traditional music theory, but also exerts a profound influence on contemporary students. --Inscription