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此时的医患关系不再处于现实中医生高高在上、病人委曲求全的扭曲状态,又或影视剧中医生无私奉献、病人温顺和善的虚幻状态,而是构筑在人的平等与尊严之上的调和状态。作为系列电影的第二部,本片是典型的日式治愈系电影对生死的执着与释怀、对情理的珍视与距离感,都没有跳出同类日影的应有之义。但影片因涉及了医患关系这个不止在中国,在哪里都会滋生出故事的关键点,而显现出某种不同的意味。2011年《神的病历簿》第一部被搬上银幕,卖点主要是J家(日本著名艺人经纪公司杰尼斯事务所)偶像樱井翔与宫
The doctor-patient relationship at this time no longer lies in the state of distraction that the Chinese medicine practitioners are exalted, the patients are patiently performing, or the unselfish dedication of doctors and TV dramas, the doctrinal state of patient docility and kindness, but the reconciliation above the equality and dignity of human beings . As the second series of films, the film is a typical Japanese-style cure for life and death of the film’s attachment and release, cherish the sense of value and sense of distance, have not jumped out of the shadow of similar sunshine. However, the film shows a somewhat different meaning because it involves the doctor-patient relationship, which is not only in China, but also breeds the key point of the story. 2011, “God’s case record book,” the first was put on the screen, the selling point is mainly J (Japan famous artist brokerage firm Kennedy firm) idol Sakurai Xiang and Gong