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我在一个市级歌舞团里做道具设计师几十年了。其实,在我们这样的团体里,人们并不把你看成一个什么设计师。通常,对我们这些人的称呼,就是“搞道具的”。你的活干得再好,人们也不过是夸你的手巧而已。在一些人眼里,我们是属于体力劳动者,拿着铁锤、拉着大锯,敲敲打打,做些小玩意儿,只是一个手工匠。但是,在我的心里,却不这样认为,我知道道具设计是舞美设计的一个重要组成部分,道具设计师的工作是整个舞台艺术不可或缺的,我们的理想也是成为一个被大众认可的艺术家。像其他艺术家一样,在我们身上也是必须具有独特的素质。
I do props designer in a municipal song and dance troupe for decades. In fact, in a community like ours, people do not see you as a designer. Often, the title we call these people is “props.” Your life is no better, people just boast of your dexterity. In the eyes of some people, we belong to manual workers, holding a hammer, pulling a big saw, knocking and typing, doing some tricks, just a craftsman. However, in my heart, but do not think so, I know the props design is an important part of the design, the props designer’s work is indispensable to the entire stage of art, our ideal is to become a recognized artist . Like other artists, we must also have unique qualities in us.