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产生于元末明初的昆山腔,作为南戏的声腔之一,在明弘治、正德、嘉靖年间已在苏州和周围地区产生了一定影响,嘉靖年间魏良辅等改革了昆山腔,当时人们称之为“昆曲”、“时曲”,昆曲成为一种集南北曲之长的唱腔。到了万历年间昆曲北上传入宫廷,民间的昆曲戏班也开始在北京演出。本文通过对“吴歈”含义的考证,论证了昆曲入京的时间。
Kunshan cavity, which was produced in the late Yuan Dynasty and the early Ming Dynasty, was one of the vocal caves of Nanxi Opera. It had had a certain influence in Suzhou and surrounding areas during the Mingzhi, Masanori and Jiajing years. In the Jiajing Reign, Wei Liangfu and so on reform Kunshan cavity, “Kunqu”, “song”, Kunqu became a long song of North and South melodies. To Wanli Kunqu north pass into the court, folk Kunqu opera classes also began to perform in Beijing. Through the research on the meaning of “Wu Mi”, this article demonstrates the time of Kunqu Opera entering Beijing.