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“比德”是中国艺术创造美的一种表达形式,特别是绘画作品通过自然之物移情,使自然景物带有人的性格品质和精神内涵,反应了人们的审美情趣,也是人们伦理情感外化的表达手法。针对当前“比德”观展开的相应范围研究已处于相对较为完善的研究状态,本课题将沿着前人研究的系统进一步的梳理针对中国古代画论研究范畴内的“比德”思想及其主张,通过对中国古代画论中的“比德”观的相关阐述进行分析,以期通过探讨绘画史论“比德”的相关形成因素以及史学发展中的衍变,探讨得出“比德”论述与中国绘画艺术的关联性,以期能从一个侧面或者称为一个片段式的角度试图来展示出中国画论艺术强大精神的一隅。
“Bide ” is an expression of the beauty of Chinese art to create, especially the works of art empathy by nature of the natural landscape with people’s character and spiritual quality, reflects people’s aesthetic taste, but also people’s ethical feelings Externalized expression. The research on the corresponding range of the current “Beide” concept has been in a relatively perfect state of research. This topic will be further sorted out according to the system of the predecessors in the study of “Beide Through the analysis of the related explanations of the concept of ”Bead “ in the ancient Chinese painting theory, with the hope of exploring the related formation factors of the history of painting ”Bead “ and the evolution in the development of history, Explore the relationship between ”Beide" and Chinese painting art, in order to try to show the corner of the powerful spirit of Chinese painting theory from a side or a fragment.