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纵观整个历史,人类积极地改造着环境,在长期的社会实践中,逐渐变得心灵手巧,缓缓培育出抽象思维能力,懂得鉴别产品的优劣,出现了具有装饰意味的设计品。20世纪初期开始,诸多设计师和理论家针对设计发展所面临的功能与装饰之间的种种实际问题进行探索,经过工艺美术运动、芝加哥学派、新艺术运动、德意志制造联盟后,现代主义功能至上的观念全面展开,理性逻辑简约是当时设计产品的特征,而后工业时代的一种“新人文主义”设计又应运而生,人类又在发展的过程中反思着精神本味的带有装饰的设计。回溯过去展望未来,在设计的历程中,人类从未停止过对功能和装饰的双重探索和思考。
Throughout the history, mankind has actively transformed the environment. In the long-term social practice, it has gradually become dexterous, slowly cultivating abstract thinking skills, understanding the advantages and disadvantages of identifying products, and creating decorative designs. Since the beginning of the 20th century, many designers and theorists have explored various practical problems between the functions and decorations that the design development faces. After the arts and crafts movement, the Chicago School, the Art Nouveau Movement and the German alliance, the modernism function supreme The concept of logic is fully developed, the logic of simplicity is the product of the design characteristics of the time, and then a “new humanism ” design of the industrial era came into being, human beings in the process of development reflect the spirit of the original with decoration the design of. Back to the past looking forward to the future, in the course of design, humanity has never stopped double exploration of function and decoration and thinking.