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常会听到有朋友说,王羲之的《兰亭序》不怎样么,我看还没有我写得好……估计这样的话大家都听说过。说这些话也不奇怪,说明了大众的书法审美能力问题,而对于学书者而言,是一个怎样对待经典和艺术,应该向《兰亭序》学习什么,怎样临习的问题。对书法美的理解,需要较高的艺术修养。不少书家在临习《兰亭序》时,精力主要集中在每个字的点画撇捺、结体布局、笔墨的柔劲干湿、线条的粗细曲直、字的大小方圆等上,而很少去解读文章本身的意蕴,
Often hear a friend say that Wang Xizhi’s “Orchid Pavilion Preface” is not what kind, I think I have not written well ... ... estimated that we have heard so. It is not surprising to say these words, which shows the public’s aesthetic ability of calligraphy. For scholarly writers, it is a question of how to treat classics and art and what to learn from Lanting Preface and how to practice. The understanding of calligraphy beauty requires a high artistic accomplishment. Many book experts in the practice of “Orchid Pavilion Preface”, the energy is mainly focused on each word stipple Na, junction structure, pen and ink soft and wet, the thickness of the line, the size of the word square, and so on Less to interpret the meaning of the article itself,