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“吕澎的艺术史填补了艺术史学界研究20世纪中国艺术史领域里的空白”20世纪上半叶,在日本学者和欧洲史学的影响下,中经陈师曾、郑午昌,尤其是滕固等早期学者的努力,中国渐有现代艺术史学的大致轮廓。1949年之后,关于中国艺术史的写作受到僵化的意识形态教条的影响,艺术史学领域成绩甚微。改革开放之后,禁锢破除,史学领域通过翻译和研究充分介绍西方艺术史学的成果,在学科方面刺激了中国学者以更为开放的思想与方法开
“Lu Peng’s history of art filled the gaps in the field of art historians in the field of Chinese art history in the 20th century ” In the first half of the 20th century, under the influence of Japanese scholars and European historians, Chen Zhongzheng, Zheng Wuchang, especially Teng Gu Due to the efforts of early scholars, China gradually has the general outline of modern art history. After 1949, the writing about the history of Chinese art was influenced by rigid ideological dogma, and the achievements in the field of art history were negligible. After the reform and opening up, imprisonment was abolished. In the field of history, the achievements of western art historiography were fully introduced through translation and research, which stimulated Chinese scholars to open up more open ideas and methods in disciplines