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少数民族题材一直是我国画家自上世纪40年代以来热衷表现的对象,而新疆又可以说是其中最热的热点地区。从题材内容的优势来说,作为新疆画家的康书增先生,明显占有近水楼台先得月的地利。但以继承传统和形式创新的难度来看,远离传统国画源地和国家美术中心的康书增先生,又显然处于地利上的劣势地位。同时,在新疆少数民族题材美术创作方面,业已涌现过众多名家名作,这也给像康书增这样的当地画家提出了严峻挑战。康书增先生曾在《从题材说起》一文中说:“我以为作为写实性的人物画,题
The subject matter of ethnic minorities has been the object of painstaking performance of Chinese painters since the 1940s, while Xinjiang can be said to be one of the hottest hot spots in the world. As far as the advantages of the subject matter are concerned, Mr. Kang Shuzeng, a painter in Xinjiang, clearly occupies the first place in the world. However, in order to inherit the difficulty of traditional and formal innovations, Kang Sze Zeng, who is far away from traditional Chinese painting centers and national art centers, is clearly at a disadvantageous position on the ground. In the meantime, numerous famous masterpieces have emerged in Xinjiang minority art creation, which also poses a severe challenge to local artists such as Kang Shuzeng. Mr. Kang Shuzeng said in his article ”Speaking from the Theme,“ ”I think that as a realistic figure painting,