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本文试图以山水时空图景织就一幅错综复杂的网络,将周流于山水画时空构架的潜能解放出来以便营造一种差异。与此相关联的则是德勒兹和加塔利的关于解域的思考,以抵制通常的运作方式——那种更倾向于将东西方彼此分离的进行评判并在不得已的情况之下固步自封的方式。众所周知,中国古代山水画从未宣称要对世界进行解释性描绘或裁断性规定,而是一直以建构性的方式介入现实。山水图像将事物以潜在的方式居间、聚集,并且使其
This paper attempts to weave an intricate network with landscape pictures of landscapes and landscapes, and free up the potential of the landscape architecture in landscape painting in order to create a difference. Associated with this is Deleuze and Gatari’s thinking on dissolving domains to counteract the usual mode of operation - the tendency to judge East and West apart from each other and to act as if they were precarious The way. It is well known that ancient Chinese landscape paintings never claimed to interpret or interpret the world in an interpretative way, but always intervened in reality in a constructive way. The landscape image interposes things in a way that is potentially, gathered and made