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1997年我还在卡塞尔美术学院上学,在那年的文献展中,我看到了威廉·肯特里奇(William Kentridge)的两部动面作品,很是感动。我惊讶于他用双手画出的炭笔素描是那样的粗犷、生动,配上文艺复兴时期的音乐,吸引我看了一遍又一遍。想着以后我也会用动画的方式做作品,虽然那时还不清楚会用何种方式和方法,但肯定不会用这种徒手面的方式。1999年我同到中国,进入中央美术学院摄影工作室做教师,开始使用苹果电脑,摄影也在此时快速地由胶片转入数
I was still at Kassel Academy of Fine Arts in 1997 and in that year’s documentary exhibition I was touched by two moving works by William Kentridge. I was amazed at the rough, vivid, and renaissance music that he sketched with his hands, drawing me over and over again. After thinking I will do the work in an animated way, though it is not clear at that time what ways and means will be used, but I certainly will not use this kind of freehand way. In 1999, I went to China, entered the studio of photography of the Central Academy of Fine Arts as a teacher and started to use the Apple Computer. At this time, photography was rapidly transferred from film to digital