论文部分内容阅读
《布衣张澜》的切入点很有智慧,具有高度,很让人感动,是民营剧团一出难得的好戏,抓住了“布衣”这个关键点,用川剧的审美形式呈现张澜的人格魅力,极有生命力。整出戏成功地塑造了张澜一生致力于天地一生、为万世开太平的艺术形象。抓住“布衣”这个核心,托物言志,非常典型地体现了中华的美学精神。中华美学精神就是传承发扬中华优秀文化,强调托物言志、言简意赅、形神兼备,《布衣张澜》就做到了这一点。该剧没有着重
“Burberry Zhang Lan,” the entry point is very intelligent, highly, very moving, is a private theater a good show, captured the “commoner” the key point, with the aesthetic form of Sichuan Opera Zhang Lan Personality charm, great vitality. The whole play has successfully shaped Zhang Lan’s life devoted to life in the world, to open the world’s art image. Grabbing the core of “commoner” and showing conscientious object, very typical embodiment of the Chinese aesthetic spirit. The spirit of Chinese aesthetics is the inheritance and development of outstanding Chinese culture, emphasizing the propositions of conscience, succinctness, shape and spirit, “commoner Zhang Lan” to do this. The show did not focus