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日前,香港大山文化出版社推出庄园的学术专著《个人的存在与拯救——高行健小说论》,由朱寿桐作序。该书列入“高行健研究丛书”系列,由马悦然当顾问、刘再复和潘耀明当主编。此丛书2011年正式推出,至2017年共出版了6部。高行健是第一个获得诺贝尔文学奖的汉语作家,也是中国当代最具现代意识的作家。早在上个世纪80年代,他率先出版的论著《现代小说技巧初探》就一纸风行,而他个人则以“荒诞派戏剧先锋”备受瞩目。离开中国大陆之后,他没有被“中国情结”所迷惑,而是以清明和理性继续发出“个人的声音”。高行健始终顽强地向着个体主义
Recently, Hong Kong Dashan Cultural Publishing House launched the manor’s academic monograph “The Existence and Rescuing of Individuals - Gao Xingjian’s Novel Theory”, prefaced by Zhu Shoutong. The book included “Gao Xingjian research series ” series, by Ma Yueran when consultants, Liu Zaifu and Pan Yao Ming editor. The series was officially launched in 2011 and has a total of 6 published by 2017. Gao Xingjian was the first Chinese writer to win the Nobel Prize for Literature and the most contemporary contemporary Chinese writer. As early as the 1980s, he was the first to publish a treatise “A Probe into the Techniques of Modern Novels”. However, he was highly regarded by “The Pioneers of the Absurd Drama.” After leaving mainland China, he was not fooled by the “Chinese complex”, but continued to issue “personal voices” with clarity and rationality. Gao Xingjian always tenacious toward individualism