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有人说杨学德是天生的漫画人,若不是有横溢的天赋、特异的秉质,或者独享的审美,又怎么敢于素面朝天地作画?他的画生涩、稚拙、朴素,有一种原始的生命力,对于他而言,漫画和生活的接口那么好,什么都可以入画,没有多此一举的滤口和净化,也没有整个绘画历史和学院范式的挤压。在西方现代艺术,有一整套关于“素人绘画”的解释,而阿德对自己的评价很简单,他追求“劲有野之中的劲有野”(看似无招胜有招)。
Some people say that Yang Xuede is a born cartoonist, if not a brilliant talent, a specific quality, or exclusive aesthetic, how dare to make face-to-face painting? His paintings jerky, naive, simple, have a primitive vitality For him, comics and life interface so good, everything can be drawn into the painting, there is no plethora of filter and purification, nor the whole history of painting and college paradigm squeeze. In Western modern art, there is a whole set of explanations about “prime painting”, and Adr’s assessment of himself is very simple, and he pursues “strength and strength in the wild ” (seemingly without any means).