论文部分内容阅读
郝秀洁的西河大鼓新篇《霸王别姬》,以其易俗近雅的审美追求、肃穆的情感、磅礴的气势,唱叙了“英雄与美人”这一几千年来民众心中永恒的主题。国人悲剧意识淡漠、正统观念浓烈,鼓曲这一民间艺术往往采取悲剧正剧化、正剧喜剧化的表达方式。在这样的传统里,作者郝赫和演唱者郝秀洁却偏偏以仰视敬慕的目光,采取史诗般地笔调唱叙了这一感天动地的叙事诗篇。与京剧等戏曲样式留给我们的印象不同,鼓曲以其“写情则沁人心脾,写景则在人耳目,述事则如其口出”的亲临感,如诗的笔调洋洋洒洒,将故事娓娓道来。郝
Hao Xijie’s Xihe drum new chapter, “Farewell My Concubine,” with its elegant and elegant pursuit of beauty, solemn feelings, majestic momentum, scribbled “Heroes and Beauties,” the hearts of thousands of people in the hearts of eternity Theme of. Chinese people’s consciousness of tragedy is indifferent, and orthodox concepts are strong. Drum song, the folk art often adopts the expression of tragedy dramatization and drama dramatization. In such a tradition, the writer Hao He and singer Hao Xiujie chose to look ephemerally at this epic poem with an epic poem. Different from the opera style left behind by Beijing Opera, the tunes are vividly expressed by their “writing love” and the personal touch of the writing scene. Breath come. Hao