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最近读到北京出版社出版的《周作人书话》(现代书话丛书之一,黄乔生编),觉得编选者对周作人书话的分类和选录标准都较为新颖。一个时期以来,文坛上闹起了散文热,周作人的散文就是热源之一。但批评者对他的作品自来有不同的意见,直到现在还是莫衷一是。如关于周氏晚年的散文,有人说作者成了文抄公,说明着他已经颓唐到无聊的地步,没话找话,为文而文;又有人说晚年文章已臻化境,引古证今,稍加点评,要言不烦,洒脱有致。在《周作人书话》后记中,编者显
Recently read Beijing Publishing House published “Zhou Zuoren book” (one of the modern series of books, Huang Qiaosheng series), that writers Zou Zuoren’s book classification and selection criteria are more novel. Since a period of time, the literary world has aroused the prose essay, and Zhou Zuoren’s essay is one of the heat sources. However, critics have come up with different opinions on his work, which until now is still mixed. For example, on the essay of Zhou’s later years, some people say that the author has become a literary man and that he has become unemotional and boring. Add comments, to say not annoying, free and easy. In “Postscript Zhou Zuoren” postscript, the editor was significant