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和汤娜在一起,是极轻松而惬意的。她很聪明,却又坦诚得近乎愚傻;她很温和,却又热烈得几乎爆炸;她很孱弱,却又勇敢得似乎以身试陈规陋习。谈起艺术创作,说起生活,她常常比男人更加大胆地坦露胸臆,揭露伪善,表达苦闷,呼唤知音。她那微妙灵动的女性心理,闪烁着中国女性的风采,她是我熟悉的演员中,不多见的一位好演员。忘记自己才能活出自己“忘记自己才能活出自己”,这话是汤娜从《长征岁月》剧组刚下来对我说的,那时侯,她脸上还刻着海拔四干多米的甘南
And Tang Na together, is very relaxed and cozy. She was clever, but honestly foolish; she was gentle, yet nearly exploded enthusiastically; she was weak, yet courageous, as though she were trying out stereotypes. Speaking of artistic creation, talking about life, she often than the men more bold confession, exposing hypocrisy, expression of depression, calling for knowledgeable. Her subtle and clever female psychology shimmering with Chinese women, she is a rare actor who is a familiar actor. Forgetting myself to live out their own “forgetting myself to live their own”, this is from the “Long March Years” crew just said down to me, when Hou, her face is also engraved Gannan four meters above sea level