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古典诗词中常有超常的“省略”，从审美角度而言，诗歌语言中的省略与中国水墨画的“留白”有异曲同工之妙，语法成分的省略并未使诗句的整体语义减损，相反可使诗歌语言产生语义的扩展。因而，在诗学上，“省略”具有独特的诗学审美价值：从语言形式表层而言，可形成语言风格的简约凝练之美；从欣赏心理深层而言，使诗歌产生含蓄想象的艺术之美，拓宽诗意联想的空间，是形成汉语诗意的诗化基因。
In classical poetry, there are often superfluous “omissions”. From an aesthetic point of view, the omission in the poetic language is similar to the “leaving blank” in Chinese ink and wash painting. The omission of grammatical composition does not detract from the overall semantic meaning of poetry. On the contrary, Semantic expansion of poetic language. Therefore, in the poetics, “ellipsis” has a unique aesthetic value of poetics: from the surface of the language form, it can form the concise and concise beauty of the language style; from the perspective of deep psychology, the beauty of the art that makes poetry produce subtle imagination, Broaden the space for poetic association is the formation of Chinese poetic poetic gene.