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中国画发展至今,都不是一个独立的意识形态,作为上层建筑的绘画,同其他社会意识形态既有联系又有区别,在反映社会生活方面,有自己的特殊性,历来,很强调它的社会功能。中国画的社会功能既复杂又有规矩可循,一种原因是它是伴随着时代的发展而发展的;另外是因为它自身的形态的特殊,其性能各异,形态多样。一般说来,它在人类生活中从不占主导作用,仅是婉转地给人以潜移默化的感染。绘画的功能源于生活的本质,不同的本质论导致不同的功能论。中国画的社会功能,从总体上说是一种审美作用,不管它所承载的功能是什么,都是基于审美的前提。所以我把它划分为审美认识功能、审美教育功能、审美娱乐功能、审美调剂功能。本文就古今一些绘画理论与绘画作品联合论证阐述中国画的审美认识、教育、娱乐、调剂功能。
As far as the development of Chinese painting is concerned, it is not an independent ideology. As the painting of the superstructure, it has both the connection and the difference with other social ideologies. It has its own uniqueness in reflecting the social life. It has traditionally emphasized its social functions . One of the reasons for the social function of Chinese painting is that it develops with the development of the times. The other is because of its special shape, its performance varies and its shape is diverse. In general, it never occupies a leading role in human life, only mildly gives a subtle infection. The function of painting stems from the essence of life, and different essences lead to different theories of function. The social function of Chinese painting is an aesthetic effect as a whole. Regardless of the function it carries, it is based on the aesthetic premise. So I put it divided into aesthetic cognitive function, aesthetic education, aesthetic entertainment, aesthetic adjustment function. This article elaborates the aesthetic understanding, education, entertainment and mediation functions of Chinese painting based on some ancient and modern painting theories and paintings.