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2010年9月8日至10月28日,《未来主义之路》展在中国美术馆展出。值此时机,本文从传播史的角度出发展开研究,探索20世纪初意大利未来主义与法国《费加罗报》的关系,分析二者间的身份认同,从而揭示其意义并力争为艺术史的研究提供一个新的视角。一、未来主义产生的背景中世纪的意大利是欧洲文艺复兴的摇篮,但丁、波提切利、达·芬奇、拉斐尔、伽利略和米开朗基罗等科学与艺术巨匠对推进欧洲及整个世界文明的进程起到了至关重要的作用。14、15世纪,意大利几经外族入侵和分裂,直至1861年成
From September 8 to October 28, 2010, “Road to Futurism” is on display at the China Art Museum. At this juncture, this article explores the relationship between the Italian futurism of the early 20th century and the Le Figaro newspaper in France from the point of view of the history of communication, analyzes the identity between the two and reveals its significance and strives to be the historical Research provides a new perspective. First, the background of futurism The medieval Italy is the cradle of European Renaissance, Dante, Botticelli, Leonardo da Vinci, Raphael, Galileo and Michelangelo and other masters of science and art to promote Europe and the whole The process of world civilization has played a crucial role. In the 14th and 15th centuries, Italy invaded and divided by aliens until 1861