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《画刊》:你的《寻人启事——驻影》系列的画面中始终出现一个身着中式服装、肩背五星军绿书包、脚蹬解放鞋的人物形象,背景多为模糊一片,请问你在寻找什么?表达什么?张正民:现在看,这种姿势与饰物带有一种伪装性,像表演,但“他”的确是我这一代人在一个时代的集体记忆。记忆与现实总是交织在一起的,人一旦对自己接受的教育与灌输的理想产生怀疑,就会有所反思。所以,我创作《寻人启事》只是在提醒自己:人丢了,还可以找到回家的路,魂丢了,再回来就
“Pictorial”: Your image of a series of images of the “Finding Your Own Things-In Pictures” always shows a figure in a Chinese-style dress, a shoulder bag and army green liberation shoes. The background is mostly blurred. What are you looking for? Express what? Zhang Zhengmin: Now look, this posture and accessories with a disguise, like a show, but “he ” is indeed my generation’s collective memory of an era. Memory and reality are always intertwined. Once people have doubts about the education and inculcation they receive, they will reflect on it. So, my creation of “tracing someone” is only to remind myself: people lost, you can find the way home, lost the soul, and then come back