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我六岁开始学戏,拜刘吉庆先生为师,学红生戏和老生戏,我十三岁时已学了不少红生戏、老生戏。有一次在上海串演《古城会》,在我串戏的前两天,刘先生把我带到上海丹桂第一台后台,拜见王鸿寿(三麻子)先生。当时刘先生对王先生说:“老三啊,这是我的徒弟,也是你的徒弟,他要串《古城会》,你给他起个名字吧。”王先生让我把“抬刀带马”一段走给他看,看后他高兴地说:“就叫小三麻子吧!”刘先生马上叫我拜师傅。两天以后我参加了演出,那天演出的戏目很多,王先生在后边演《扫松下书》,我在前面演《古城会》。当时很少有人敢和王先生同台演出关羽戏,我要不是仗着年纪小,也不敢在关夫子面前耍大刀哩。戏演完后,王先生一再嘱咐我:“演关羽戏就要注意姿式,必须是‘站如松,坐如钟’。”并对我说:“关帝庙你去过吗?你看关帝的塑像威武吧!演关羽戏就要牢牢记住庙里的‘忠义千秋’四个字。”以后王先生亲自向我传授了《水淹七军》、《单刀会》、《坝桥挑袍》等关戏。王先生说:“这三出戏学扎实了,其它的关戏就都拿得起来了。”
I started school at the age of six, thanks to Mr. Liu Jiqing as a teacher, learned Hongsheng Opera and Laoshengsai, and when I was thirteen, I had learned a lot of Hongsheng Opera and Laoshengsai. Once in Shanghai staged “the ancient city will be” a few days before my string-playing, Mr. Liu took me to the first backstage of Shanghai Osmanthus, met with Mr. Wang Hongshou (three pockmarks). At that time, Mr. Liu said to Mr. Wang: “The youngest, this is my apprentice and your apprentice, he wants to string” the ancient city will be “, you give him a name.” Mr. Wang let me “lift knife belt Ma ”for a while to see him, after looking at him happily said:“ Just call a small three pock it! ”Mr. Liu immediately called me to visit the master. Two days later I took part in the performance. There were many performances on that day. After playing “Swinging the Next Book,” Mr. Wang played “The Old Town Meeting” in front of me. At that time, few people dared to go to the stage with Mr. Wang on the same stage as Guanyu Opera. I was either reckoned with young age or daring to play a leading role in front of the school. After the play, Mr. Wang repeatedly asked me: “You must pay attention to the posture of Guan Yu opera, and must be ’stand like pine and sit like a bell.’” And said to me: “Have you ever been to Guan Temple? Guan Yu’s majestic statue it! Performing Guan Yu drama will firmly remember the temple’s ’Loyalty and Thousands of Autumn’ four words. ”After Mr. Wang personally taught me“ flooded the Seven Corps ”,“ single-pole ”,“ dam Bridge pick ”off the show. Mr. Wang said: “These three dramas are solid and the rest of the play is well taken.”