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我曾说过,现代水墨画不是古典水墨画,它的创作格局遵循的不是古典的规范,其中许多新的表现因素都是古典水墨画里所没有的,用批评古典水墨画的标准去批评现代水墨画,注定是不得要领的。现在我还想补充一句,批评无论是对旧形式这类抱残守缺的艺术寻找怎样的理由,都无法使这类艺术变得有意义。如果按海德格尔的说法,语言是揭示存在的基本手段和方法,那么,中国水墨画的语境在当下已经发生了根本的改变,
I have said that modern ink painting is not a classical ink painting. Its creative pattern does not follow the classical norms. Many of the new performance factors are not found in classical ink paintings. Criticizing modern ink painting to criticize modern ink paintings is doomed to be Can not get it. Now, I would like to add that criticizing neither of the reasons for finding a crooked piece of art such as the old form can make such art meaningful. If, according to Heidegger, language is the basic means and method of revealing existence, then the context of Chinese ink painting has undergone fundamental changes in the present moment,