论文部分内容阅读
一幅好的素描或速写 ,并不在于画面上画了多少 ,而是在于理解和表现了多少。写生的最佳状态 ,是技术因素与精神因素水乳交融的自由状态。本文无意将笔墨集中在诸如“怎样画素描、速写”之类的技术层面上 ,而是凭着丰富的教学经验和真切的实践体验与思考 ,用一种论点、点评、感想的方式 ,启发创作者能够跨越基本功训练与艺术创造之间的障碍 ,建立自信心 ,保持良好的精神状态 ,用一种新的视角来看待素描与速写。
A good sketching or sketching does not depend on how much is drawn on the screen, but how much is understood and expressed. The best state of sketching is the free state that the technical factors and the spiritual factors are mixed with each other. This article is not intended to focus on the technical level such as “how to draw sketches and sketches”, but to experience and think with rich teaching experience and real practice, inspiring creation with a kind of argument, comment and feeling Those who are able to cross the barriers between basic training and artistic creation, establish self-confidence, maintain a good mental state, and take a new look at sketching and sketching.